Open a larger version of the following image in a popup:
White Flat Open Grain Obeche Frame
Dry Mounted on to 5mm Kappa
Anti Reflective Glass

Anti Reflective Glass
Open a larger version of the following image in a popup:
Stained Black Graphie Oak Frame Dry Mounted on to 5mm Kappa Anti Reflective Glass

Open a larger version of the following image in a popup:
Waxed Oak Frame
Dry Mounted on to 5mm Kappa
Anti Reflective Glass

Anti Reflective Glass
Open a larger version of the following image in a popup:
Wenge Dark Brown, Flat Open Grain Obeche Frame Dry Mounted on to 5mm Kappa Anti Reflective Glass

Open a larger version of the following image in a popup:
Sophie Vallance Cantor in her studio

Sophie Vallance Cantor
I HEARD SOMEBODY WHISTLE, 2021
Archival Pigment Print on Hahnemühle Museum Etching Finely Textured 350gsm Natural White Matt Paper
82 x 82 cm
32 1/4 x 32 1/4 in
32 1/4 x 32 1/4 in
Edition of 20 plus 1 AP
Hand signed and numbered by the artist
Certificate of Authenticity Included
Certificate of Authenticity Included
Copyright The Artist
Framing options:
Further images
Sophie Vallance Cantor's practice as a painter is best described as an intense examination of life; a conversation with herself. Encounters from her everyday are re-imagined on her large square...
Sophie Vallance Cantor's practice as a painter is best described as an intense examination of life; a conversation with herself. Encounters from her everyday are re-imagined on her large square canvases, half reality, half fantasy. Her imagery draws heavily on animals, self portraiture, food, and her subjective reality. In turn, these are inflected by tonalities ranging from the humorous to the darkly sad. She is currently based in Glasgow but has lived in both Berlin and London, allowing her practice to naturally evolve through time and locale, tied not to particular geographical place, but instead to the experiential and how it takes on shape and distinction in hindsight. Her own voice sits at the nexus of feminist practices, cathartic art-making, processes of confession, folklore, and storytelling.
We pack our prints safely rolled in acid-proof paper and deliver them in Guts branded postage tubes. Unpack the work as soon as it arrives, keeping the acid-proof paper on top of the surface. Ensure to weigh down the four corners of the print with a soft object. Alternatively, you can place a sheet of plywood or cardboard on top to flatten it out. Handle the print by its edges and avoid touching the surface.
We pack our prints safely rolled in acid-proof paper and deliver them in Guts branded postage tubes. Unpack the work as soon as it arrives, keeping the acid-proof paper on top of the surface. Ensure to weigh down the four corners of the print with a soft object. Alternatively, you can place a sheet of plywood or cardboard on top to flatten it out. Handle the print by its edges and avoid touching the surface.