This painting was made with the concept of 'Softer, Softest' in mind, which felt natural as the themes explored in the show align with my recent explorations.

My reference photograph has been buried under layers of screens and flashes, one by one, distorting the original composition into a digital abstraction with varying points of focus and softness. The muted, low contrast color palette applied entirely with an airbrush is intended to create a soft harmony among the loose movement of the piece.

The lifeless inhabitant of this work's environment is wrapped in an ever-changing pile of wires that are pulled in and out of focus, until they are reduced to nothing but a tireless mess of gradients.