Manslaughter by Olivia Sterling sees the young British painter bring her playful figuration to a gruesome new tea party. Look once, and it’s a scarlet food fight of red wine and tomatoes, but stare closer, and any innocent bawdiness swiftly disappears for something more sinister – a plethora of art historical references inverted into a raucous manhunt, with a corpse of cake (featuring gummy candy nipples) at the heart of proceedings. From the bare buttocks of a white male, labeled for ownership and consumption, to a hacked-off and manacled hand, Sterling squirts cartoonish strawberry jam violence across her canvases to eerie effect. Is the eye staring through a fence a Peeping Tom, or a man hiding in fear? Or both?
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