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Sophie Vallance Cantor I HEARD SOMEBODY WHISTLE, 2021, Limited Edition Print
Sophie Vallance Cantor I HEARD SOMEBODY WHISTLE, 2021, Limited Edition Print
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Individually Signed and Numbered by the Artist
Individually Signed and Numbered by the Artist
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Waxed Walnut Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
Waxed Walnut Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
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Black Open Grain Obeche Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
Black Open Grain Obeche Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
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White Open Grain Obeche Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
White Open Grain Obeche Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
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Waxed Oak Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
Waxed Oak Box Frame. For framing enquiries please contact editions@gutsgallery.co.uk.
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Sophie Vallance Cantor in her studio
Sophie Vallance Cantor in her studio
Sophie Vallance Cantor
I HEARD SOMEBODY WHISTLE, 2021
Archival Pigment Print on Hahnemühle Museum Etching Finely Textured 350gsm Natural White Matt Paper
Individually signed and numbered by the artist
Certificate of Authenticity included
Individually signed and numbered by the artist
Certificate of Authenticity included
82 x 82 cm
32 1/4 x 32 1/4 in
32 1/4 x 32 1/4 in
Edition of 20 plus 1 AP
Copyright The Artist
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Sophie Vallance Cantor's practice as a painter is best described as an intense examination of life; a conversation with herself. Encounters from her everyday are re-imagined on her large square...
Sophie Vallance Cantor's practice as a painter is best described as an intense examination of life; a conversation with herself. Encounters from her everyday are re-imagined on her large square canvases, half reality, half fantasy. Her imagery draws heavily on animals, self portraiture, food, and her subjective reality. In turn, these are inflected by tonalities ranging from the humorous to the darkly sad. She is currently based in Glasgow but has lived in both Berlin and London, allowing her practice to naturally evolve through time and locale, tied not to particular geographical place, but instead to the experiential and how it takes on shape and distinction in hindsight. Her own voice sits at the nexus of feminist practices, cathartic art-making, processes of confession, folklore, and storytelling.
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