The severed limbs, chopped-up livers and decapitated bonces of white men were all laid out to be feasted upon in young English painter Olivia Sterling’s show at Guts. It was gory but cartoony, comic but scary, fun but also terrifyingly serious. Don’t worry, it wasn’t real, it was all cake, but it was still the best exhibition by a young painter in London by a bloody mile.
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