Lydia Blakeley
Pregled
Through the painting process, she attempts to introduce new layers of meaning. In doing so, she develops narratives and presents alternative interpretations of our actuality.
Blakeley uses paint to reflect the present, which is saturated with snapshots of hyper-reality, and by using the medium as a response to popular culture. Through the painting process, she attempts to introduce new layers of meaning. In doing so, she develops narratives and presents alternative interpretations of our actuality. The materiality of her paintings reinforces the permanence of the image within an increasingly dematerialized world.
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Guts Exhibitions
Press
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Top Ten Shows from the UK and Ireland
Mimi Chu, Frieze, 12 Feb 2021 -
The London art you can take a virtual tour of right now for free
Lucy Scovell, The Glossary, 29 Mar 2020 -
This Instagram-only exhibition is full of London’s best young artists
Eddy Frankel, Time Out London, 24 Mar 2020 -
Begin Again: The online exhibition challenging austerity and racial oppression
Scarlett Baker , Love Magazine, 13 Aug 2020 -
Scrap that, lets begin again
TJ Sidhu, The Face, 13 Aug 2020 -
Ten's to see 'When Shit Hits the Fan', The insta-exhibition by Guts Gallery
Paul Toner, 10 Magazine, 2 Apr 2020 -
Art markets find high-tech ways to reach buyers
Melanie Gerlis, Financial Times, 27 Mar 2020 -
When Shit Hits the Fan (In the Artworld)
TJ Sidhu, The Face, 27 Mar 2020 -
Guts Gallery present ‘When shit hits the fan’ a digital Instagram exhibition
Mark Westall, Fad Magazine, 23 Mar 2020 -
Begin Again is the virtual art exhibition tackling racial inequality
Gunseli Yalcinkaya, Dazed , 14 Aug 2020
