Her work is concerned with addressing the invisibility of womxn of colour in the history of art and combating the fetishization of our bodies.
Miranda Forrester’s practice explores the queer black female gaze in painting, relating to the history of men painting womxn naked. Her work is concerned with addressing the invisibility of womxn of colour in the history of art and combating the fetishization of our bodies. She has been investigating how her identity impacts the way in which she depicts her subjects, and how her paintings can rearticulate the language and history of life drawing through a queer black feminist desiring lens, and in doing so, depict what the male gaze cannot see. Her use of stretching plastic over stretchers and painting on highly primed smooth surfaces is fundamental to the work, as it allows the viewer to see through the pictured bodies; the surface becomes more than skin, allowing the figures to become real and alive, moving and breathing on the canvas. This layering of transparent materials alludes to the complexities and nuances of womanhood and femininity; gender and sexuality.
Exploring the significance of domestic environments for queer people, Forrester’s paintings capture intimate, insular moments of warmth and tenderness. Animating large expanses of emptiness with vibrant, fluid and assertive lines, her bold figures occupy their space with authority yet subtlety, speaking to the strength in vulnerability. Lines and translucent brush strokes roam across her paintings, often spilling onto the wall behind and around the stretcher, gathering complex and shifting observations into the nature of identity. The work, altogether, is a celebration of womxn’s bodies, the joy in occupying feminine identities and being in relation with one another.
Top Ten Shows from the UK and IrelandMimi Chu, Frieze, 12 Feb 2021
ON VIEW BY FLASH ART: “It’s 2020 For F*ck Sake” Guts Gallery and Soft Punk / LondonFlash Art , 11 Dec 2020
IT’S 2020 FOR F*CK SAKEART PLUGGED, ART PLUGGED, 30 Sep 2020
Begin Again is the virtual art exhibition tackling racial inequalityGunseli Yalcinkaya, Dazed , 14 Aug 2020
Scrap that, lets begin againTJ Sidhu, The Face, 13 Aug 2020
Begin Again: The online exhibition challenging austerity and racial oppressionScarlett Baker , Love Magazine, 13 Aug 2020
WHEN SHIT HITS THE FAN AGAINFOR ARTISTS BY ARTISTS, 1 NIGHT ONLY. 4 Feb - 4 Mar 2021Through the invitation extended to established artists into the exhibition. We are hoping to reinstate a balance of power. Allowing established artists to shoulder emerging artists. 50% of sales of works sold by an established artist, will be distributed entirely to all the emerging artists involved. This redistribution of wealth offers a new outlook and model that is fundamentally for artists, by artists, creating an alternative system of support.
ABODEA Debut Solo Show by Miranda Forrester | It's 2020 For F*ck Sake – A Thirteen Artist, Back-to-Back Solo Exhibition Marathon 3 - 7 Dec 2020A Debut Solo Show by Miranda Forrester as part of the It's 2020 For F*ck Sake Exhibition Marathon
BEGIN AGAINAs society shifts, the art world shifts. We are on the cusp of change. 13 - 27 Aug 2020This is a time to stop, reflect, create dialogue, and put our words into positive action. To begin again we must shoulder each other, listen to each other, work together and collectively change together. As the newest generation of art collectors, we urge you to collect from this exhibition. The revenue made will support The Free Black University and the newest generation of artists.
to proceed to perform the first or earliest part of some action; commence; start
once more; another time; anew; in addition
With many thanks to Lotte Andersen for her continuous support throughout this exhibition, and to Pallas Citroen, Director of The Bomb Factory Art Foundation. Who is kindly providing a free gallery space as part of The Guts Prize.